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Mobile-O-graphy :: My first camera phone exhibit

I must say with the camera phone craze began I was a bit cautious and apprehensive about jumping in. My main fear was loosing integrity not only in the quality of the final image but also in the quality of the creative process. When I first bought an iPhone I really just used the camera here and there but not with creative intentions. When I upgraded my iPhone the quality of the pictures increased quite a bit and of course with each new iPhone (holy cow, do you fell like you can never keep up with versions of this and that!) so I started giving it a little more credance. I think my other fear was for my students. I felt I was already losing their interests to Facebook, now I had camera phones to compete with? I was thinking, will they lose interest in analog processes altogether? My camera phone experience slowly grew. I increased the amount of pictures I was taking with my phone and then broke down and installed Instagram. I was even holding off on that for fear that I would Instagram everything, like: “Hey, I’m gonna take a picture of what I eat, then Instagram it, then post it to Facebook.” That’s not really me. I was also thinking I would spend way too much time fiddling around on my phone. (Maybe you think I think too much by now). My other fear was that I would make all these images and spend so much time with editing apps that they would float around on my phone and never really amount to anything.

These fears changed this year for a couple of reasons. One reason was an image I made of St. Patrick’s Cathedral in New York City this past May. For some people, one image can totally change their minds about their beliefs, values, and even how they approach the image making process. If you have seen my work, you know that I am obsessed with church steeples. What was engaging to me about this image was the way the two steeples played off of the two American flags on the opposite side of the street. Your mind could go anywhere with this. The series of steeple images is called “Steeples for Peoples” and it is what this image is appropriately titled. Again, your mind can go a few places with this title. This is the first image exposed with my camera phone that I actually printed out. And I was pleasantly surprised at the results. I don’t think I will be printing a mural size of it or anything close to it. But it holds up, at least to a 12×12  (so far…that as big as I have printed).

Another first, was that I entered my first “camera phone” exhibit to Darkroom Gallery’s call for entries titled “Mobile-O-graphy.” One of the main reasons I entered was because of the juror, Dan Burkholder. I have been utilizing and teaching his digital negative methods for years now and was excited that he was the juror. I was excited to hear that the “Steeples for Peoples” image was selected for the exhibit. (Be sure to click on the link to look at everyone’s entries!)

One of the other things that help dissolve this fear of the camera phone craze was other the realization of how I see most of the imagery I see as well as the work of other camera phone artists (yes, there, I said it…artists). I probably see 75% (that is just a wild guess with no research to back it up) of the images I see on the Internet. So, the camera phone seems to be a great tool for sharing imagery so fluidly. And I am truly amazed at the imagery that some people are creating with their phones.

I must admit, I still have some fears and reservations. I still worry about the “instant gratification” mind set that comes with some of these camera apps. Mainly questioning if it will decrease one’s desire and ability to rely on the fundamentals of photography. However, I think one’s  personal vision is really what makes an image standout above others (which is a hard thing when you consider just how many “image makers” are out there contributing so many pictures everyday).

I can’t believe how many camera phone attachments like lens, cases, tripods, filters, etc. there are. I haven’t even gotten there yet. I’m still just bare bones iPhone with a few editing apps. So, I guess the next first will be purchasing an attachment…we’ll see.

 

Cyanotype Toning

{Changing gears a little from the last post}  This fall I am teaching an alternative digital imaging class at Francis Marion University and I am super excited because I am all about alternative processes, whether it be digital or analog or digalogue or tradigital or whatever you want to call it. One of the processes the students will be doing is the cyanotype process using digital negatives. I have been doing test prints for a while now so that I can get use to the new (or new to me} facility at FMU. I am using the “New Cyanoptye” kit or the Mike Ware formula. I have used the old start from scratch with chemicals recipe from the Christopher James Book of Alternative Processes as well as the regular or classic Photographer’s Formulary Cyanotype Kit. Changing formula’s means new adjustments. I started with the Dan Burkholder template for digital negatives (from the disc that came with the book) to give myself a starting point. After an initial print I realized that I needed more contrast in the negative. I used a combination of curves I found on PPMAG and Dan Burkholder’s curve.

I had an print that was too dark, so I decided to experiment with toning. First, I used a little hydrogen peroxide from some added blue magic. Then in a tray with fresh water I added some borax (about 5 tablespoons to an 11x14sh tray with water filled about half-way). It didn’t turn as purple as I remember it did with the old formula. The borax bleached the print out a little, which is why it was good that I started with a print that was a little too dark. After the borax bath, I let the print sit in a strong coffee bath for about 2 hours. I had to baby sit it though. I rotated it about every 15 minutes or so.

I made this image using a Canon 5D Mark II with a 100mm macro lens at the Austin, Texas Botanical Gardens.

Cyanotype Toned with Borax and Coffee:

This isn’t the same print before toning, but I’m showing it so you can see what it resembled before toning…a little dark.

Jasmine & Kenny :: Engagement Session, Part One

First of all, a big congratulations to Jasmine and Kenny on their upcoming marriage! I am fortunate enough to be photographing their wedding in April of next year. What a beautiful couple! Jasmine looked like she stepped right out of a magazine!

For those of you living in North Carolina, you have probably noticed the abundance of these pop-up afternoon storms. Jasmine, Kenny, my wonderful assistant Heather and I fell victim to one of these storms. We had so many plans for their session and I had so many ideas floating around in my head, but unfortunately the rain washed those out. It was important to give it a shot because Jasmine & Kenny live in Maryland, so it’s not so easy to schedule a re-shoot in a few days. We started out at Tryon Palace in New Bern with clouds overhead that were all gloom and doom. The weather is just something that you just can’t control, but we really made the best of it and got some great shots! We found a shady spot that served two purposes, one to cool Jasmine & Kenny off (I think it was at least 95 out) and then to also protect us a bit if it started raining.We got to our cars just in time for a torrential downpour. Thanks goodness!

I was great that one of the images that Jamsine wanted was in their favorite sports bar in New Bern called Half-Time Pub & Grub. A big thanks to the owner and manager for allowing us to photograph during business hours. One of my goals in a location like that (other than to get great shots) is to be aware that there are others there. I didn’t want to distract or annoy the other patrons there. So minimal lighting equipment was key. I wasn’t going to go in their with a huge softbox or umbrella and risk hitting someone at the next table. We used a small Wescott softbox as well as using the flash with no modifier. Using a direct and narrow light source allowed the image to focus on the couple and drop out some of the background, creating for a nice mood. I didn’t want to use bounce flash that would just fill up the room with light. I wanted it to feel like it was just them, while keeping the mood of the location.

We are going to meet again in October to finish the session that the rain so rudely interrupted! So, I will be looking forward to Jasmine & Kenny, Part Two!

 

Timothy Fisher - August 6, 2012 - 2:20 pm

Great Photo’s, SO SO Happy for my little Sister and her Engagement, welcome to our Family Brother-In-Law, KENNY, wishing you too the Best!

Lindsay - August 8, 2012 - 5:57 pm

Oh, Julie! I love those of them in the Pub — how unique! What a great idea for a photo session!

Featured in Crystal Coast Bride

In April I photographed Zach and Brittany’s beautiful waterway wedding at the Crystal Coast Convention Center. Their wedding was featured in this summer’s edition of Crystal Coast Bride….which means my photographs were featured in the magazine. I was really happy to be a part of the magazine again this year and they chose a really awesome couple! A big thanks to the wedding planner, Natalie James from At Ease Bridal. Her add is actually featured on the right hand page. If any brides out there are looking for a wedding planner I would highly recommend Natalie. She’s awesome! If you are thinking about getting married in the Crystal Coast area you definitely want to pick up this magazine. What a great resource!